Director Goel Cuone alone fights Macbeth
تصدّى لرواية شكسبير الأعنف الجمعة - 18 جمادى الآخرة 1443 هـ - 21 يناير 2022 مـ رقم العدد [15760]لوس أنجليس: محمد رُضاThe first picture that appears on a black "tragedy" screen accompanied by a distant bell.Then the film opens on a gray sky with dim and suggestive music for Carter Portle.In the sky, three western (or perhaps two) fly in a circular shape.After a while, we see a magician who talks to the camera, then the three witches who were mentioned at the beginning of the William Shakespeare play, and during some of its chapters.This is an introduction to the last cinematic quote for the play "Macbeth", which was presented on the stage the first time in 1606 AD.And if we counted the number of quotes that the cinema has erected since the first decade of the last century, the number exceeds 400 direct quotes from about 20 countries, and so on, as a result of other titles..Given that there are thousands of films that were quoted from all the plays of Shakespeare, this with the brightest theater writer is still more popular than every theater writer, or novelist, another.An arbitrary construction, one expects most of these quotes to be good.For those who spend about a week of research can pick up films that give up the play and suffice.The value of sufficiency in transferring the play as a story is less than the value of those few films that read well the glimpses of what Shakespeare put in his work, such as betrayal, greed, and the assassination motives, then its results.Which also reads the strange relationship that linked Macbeth and his wife.Those that Sigmund Freud explained that the place of its strangeness lies in that they are without children, adding that this is the real tragedy of Macbeth.But this is an interpretation that others did not go, as well as those affected by Freud's flag that they did not adopt.The tragedy of Macbeth is clear in the Shakespeare play and its content that Macbeth heard from the witches still a hidden curtain about his hidden desires to achieve this devastating type of self..They told him that he would become a "master of land" (the word..The witches continue «… then it will become a king.”.Initially, Macbeth did not think for a long time, but his exit from the battle against Norwegians and Irish is victorious..He tells his wife, who will have the actual effect of assassinating the king and installing himself as a king in his place.Especially since the king announced that his older son Malcolm is the one who will succeed him.This advertisement shook Macbeth.You can see this in a brief scene that is expressed with a short glance on the face of Washington.An instant just reaction that passes and does not pass its effect.All this is the tight construction of what will be in the movie, the director Goul Koin, the executor of the movie (not a digital) and in black and white (as Akira Korosaawa and Orsen Walz did when they quoted the play each for his movie).It will be broken by Mbtath for fear and reprimanding conscience.His wife is fighting them as she urges him to do the killing.And when he leaves his dagger in the king's room, a poet with the horror of what he committed, he ran towards that room and returns in dazzling in order to distance her suspicions from her husband.The film, mostly, conveyed Amin to what we read by the author.The little deleted, compared to the events he kept, was the aim of unifying the context of the work and implementing his technical vision of a play containing - as "Hamlet" and "King Lear" and others - on these humanitarian crises resulting from conflict with the self and with others.And Makkath, as it performs the merit of Denzel Washington, is typical in this trend.In the text of Shakespeare, Macbeth does not turn into a man who is confident of himself and the strongest affairs of what he was before committing the crime, but rather ghosts and falls into the hallucinations of the soul, and he does not find in the end the appearance of the rush towards its tragic end as described by the title.What Kwin deleted (in the first step that was directed without the partnership of his brother Eitan), those occasions that were taken by the films of others.Specifically, violent battles at the beginning of the film (the war against Irish and Norwegians) and those subsequent when the Malcolm Army who wants to restore the king is attacked by the Palace of Macbeth.For those who want to watch the battles and its virility, they can resort to the Japanese Corosawa version (1957), the French version of Roman Polanski (1971) and Australian version Justin Corzal (2015).In the three films, its director deliberately made the battles with great effectiveness."Macbeth" as Written by Shakespeare was one of his most fiercely works.The battles between the fighters contained in the text that is lying, but it is the ideal occasion for converting it into actual scenes that review the grinding wars with their bloody tools from swords, axes and spears.This is not considered a departure from the text or the Nile from it, but rather a justification that the cinema has the ability to exhaust the opportunities available to it to create the appropriate separation between the play and the film.Koenine puts this trend Goel Koin?Did he have to knock on the same door and depict the bloody battles as he did it?.The honesty of the text is contained, not by adhering to the dialogue, as it was written only, but also how the play was written in the entirety.The spatial area of events is located within the walls of the castle and its empty rooms often.There are open external scenes from time to time, but the place inside the palace is what most of the events happen without paying attention to what is going on or raising any need for boredom.The director's commitment to the text and its conditions does not mean that it canceled the violence because the violence is present in the arteries of the work in the first place.But since Koin will not compose armies and run battles to satisfy the tendency of the difference from the text, he must deal with the violence between Macbeth and himself and between him and his struggles, psychological crises and interactions.In the end there is a single battle and between two men (Denzel Washington and Korean Hawkins, who plays the role of knight McDov).Once again, instead of the director chooses a wide place inside or outside the palace, putting the warriors in the narrow corridors that soldiers usually use to defend them..Macbeth was killed by McDov's wife and their children, which made the second seek to join Malcolm's army.The issue is personal for him..Even when I realize that he is not immortal, McDov faced with full force.Filming the battle between them in an area separating the wonderful narrow walls.We note that the area granted to them is narrower than to give them freedom of movement.But this is the mode of the camera (under the management of Bruno Delbonel, the court) as well.Its limited area, for those who are watched carefully, increase the tension of the entire scene.Moment.Violence is still the master of the situation, but it is not violence for violence, but it is an embodiment of that who is in the chest of the warrior.Washington, at first sight, choose the Afro -American, Denzel Washington, to play the role of Scotland Macbeth (and Hokins to play the role of McClev) seems strange.We are not talking here about the personality of Atil (which was performed by Al -Abyad Oson Wazz), but what seems exciting to some surprise is fading with Washington's tidal and confident style.This is an actor you can believe..Even Francis McDorind, in his wife's role, provides a similar effort to master a difficult role.The dramatic relationship between the two is the focus of the entire work.Each responds to the other naturally.They protect in some scenes and reflect the tenderness of the common destiny.Both representatives from a different school.For her, throw it directly as someone who gives his lesson.Good in facial expressions and good in committing to walking within two specific lines, but focuses on words.Denzel is more freedom.It is the pursuit of embodying the meaning of words and not just pronouncing them.Denzel can shorten multiple psychological stages and does so already.The points drawn between each transformation in his personality, this actor passes with confidence and persuasion.The first point is the one in which we get to know him in the first scenes.A person who is confident of himself.A aggressor without pride and tends to simplicity.Tired (being a return from fighting) but he is comfortable.From that point it is on the rise with the escalation of the pace of the drama that he performs.Worry. نتابعه واثقاً ثمWorryاً ثم مجنوناً.As it moves between these sites, it embodies every time a degree of the collapse.On that, sometimes we realize that Washington belongs to the present because of its formulation of words.There is an empty phase of the movie, an empty and future tension.But all of this does not exceed the notes in its individual being.What is overwhelmed from the first scene to the latter is an artistic product that no other cinematographer "Macabeth" has ever achieved it in this way.This is not to reduce the importance of "a crown of blood" for Korosawa or the experimental direction of Loles, not even the stigmatization of the two copies of Korzal and Polanski, which are important to the impurities of criticism, but no one of these good films has placed the art of cinema to serve the art of text in this way.No one adheres to the geography of the place and the details of time and created from them a work that does not care about giving up the seriousness of the quotation to please anyone.Neither the market nor the members of the upcoming cinematic committees.
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